Two decisions I liked in YRS3

[bluedalahorse]

Today I want to talk about two decisions made by Lisa and the other Young Royals Season 3 writers that I really liked. This is an analysis post, to some extent. In line with my new priorities, I also want to talk about how these decisions could work on a craft level to fuel my creativity, and—more fannishly—where they might leave me with inspiration in my fanfiction. Because everything from here on out is spoilers, I am going to put it all behind a cut.


The writing decisions I want to focus on today are a) starting the season with a private settlement to resolve issues around the video/the gun/the drugs, and b) digging deeper into the ambiguity of Erik. As a heads up, both of these decisions felt particularly catered toward my reading of the show and what I wanted from it to begin with. But I figured, why not start with what one loves about a thing? So we will begin there, and perhaps, if I let myself rewatch episodes during the break, we will move on to other things, too.

The private settlement

This was something heliza24 speculated might happen in the months leading up to season 3’s release. In fandom, there was a lot of discussion around whether the legal system would be able to deliver consequences to August re: the video or not, and whether Wille or Simon could be prosecuted for the field scene and the drugs and such. For me, one of the most informative posts on the matter was sflow-er’s post about how each boys’ actions would be labeled and classified, and what the penalties might be. I don’t know the Swedish legal system too well, so it was quite informative.

In my opinion, kicking off season 3 with the arbitration/settlement outside of court, and refusing to provide catharsis through the legal system itself, was the best decision the writers could have made. I also love that it was all wrapped up in an episode. We know that rich Hillerska families often settle things discreetly behind closed doors, and the legal system tacitly allows this to happen, so this felt in line with the series worldbuilding and the real world interactions it is grounded in. I also feel that Young Royals works best when it’s at least partially anchored in Hillerska, and secondarily anchored in the family interactions characters have at home. So taking things into the courtroom for too long wouldn’t feel quite right, even if season 3 does, to some extent, open up the world more for our characters.

What also struck me was the way the adults behaved in this scene, and how a lot of it felt… not so great? You can tell that the adults all care for their respective boys (however imperfectly they express it before, during, and after the settlement.) But the way they all swoop in and try to flatten the last two seasons of conflict into who owes what to whom is sort of fascinating, and feels parallel to the housemother trying to mediate between Sara and Felice at the end of 2.6. You realize how little they know of the nuances of what happened, and how quick they are to take away the agency of their boys when they think it protects them. I really want to hit this point hard—the boys all have their agency taken away in that moment, and I use the word “boys” deliberately because it is adults who are putting them in that position. You can see some of that persist in the aftermath of the settlement; FFS Linda is making Simon pee into a cup every day.

(Not to mention the hint of personal investment each set of parents has in the case. Rickard can’t resist doing lawyerly flexes, and Linda’s constant references to Swedish values show that she’s worried she immigrated in vain. I’m sure there’s a blank we could fill in with Ludwig and Kristina, but I’m operating on memory here and I don’t remember their lines precisely.)

As icky as the settlement scenes feel, and as much tension as they create, they are also necessary for marking the importance of past conflicts while propelling the narrative forward. It does matter that August released the video—it matters enough that he had to sell his estate to compensate Simon, and it’s absolutely appropriate that he should have. And it does matter that Wille waved a gun around and Simon brought drugs to school and sold them.

At the same time, what the show is saying here is, legal consequences and lawyers (especially Rickard) can’t solve all the show’s problems. No amount of money from August is ever going to fix Simon’s mental health by itself. August being locked away forever wouldn’t have magically taken away the fault lines in Wilhelm and Simon’s relationship, which we see over the course of the season have as much to do with Wilhelm’s relationship to the monarchy as everything else. And in some alternate universe where Simon and Wille get in trouble for the drugs and the gun but August faces zero punishments at all, he wouldn’t exactly be magically cured of all his trauma and live a pretty life from then on.

Ultimately season 3 seems to be saying not that the legal system is 100% ineffective, but that it has its limits in how much healing or catharsis it can bring to people. Especially because of the way settlements and trials focus on incidents in isolation, and limit the agency of the people they are supposed to defend. I actually don’t think season 3 is telling us to let go of the legal system entirely. But what it is doing is asking us to understand offenses beyond the strict binaries of crime and punishment, and how they fit into broader contexts of societal prejudice. And finally, it is telling us to look to vulnerable human-to-human connections as another space for healing. Which is where all the juicy, interesting, complicated stuff is. I’m glad that S3 chose to follow those threads instead of just sticking us in a courtroom for five episodes.

A note before I continue: I know I’ve talked to a few friends who were disappointed we didn’t see August sell Årnäs, when we know it’s important to him. I haven’t decided how I feel about that yet. I have decided that this is one of the things I’d love to ask Lisa about in more depth, to see why one of her writing decisions was to leave that out. I suspect August has already started to pull away from Årnäs a bit in season 2 already, given that he’s willing to sell art to buy Rousseau for Sara, but I don’t know if he’s consciously there yet, and I think fans might be looking to see him grapple with that. In retrospect, it also seems like August’s arc over 3 seasons is him trying to figure out who his family is. The material reality of Årnäs and how much he wants to keep it is sort of an externalization of that, but also his way of deflecting from talking seriously about his grief for his father. So, I see why this is a tab left open in people’s brains. Maybe I’ll be able to close it on rewatch. But Simon’s also supposed to be getting that money, and that tab is left open in my brain, too. I hope Lisa reads this and has an answer for me.

Anyway. Onward to those human-to-human connections.

Erik’s ambiguity and his role in the initiations

I never fully trusted Erik. I say this not to “gloat about being right” but mostly to establish what my baseline reading of the character was in season 1. I do think he was very loving of Wilhelm and meant a lot to him, but I didn’t trust him to be a full-on LGBTQIA+ ally, and I didn’t trust him not to have gotten up to abusive fratboy shit in the past. Part of the reason I gravitated toward this reading of the character is that I found it way more interesting than Erik being perfect. In my personal experience, family members are never exactly who you need them to be, and part of the struggle of growing up is knowing when you can lean on someone (or their memory) for support and when you need to protect yourself. Fiction that deals with these themes is endlessly fascinating to me. It’s the kind of fiction I try to write, that I’d want to someday publish. So naturally Ambiguous Erik is my preferred Erik.

As someone who’s always sort of approached Erik’s memory with a less-than-trusting reading of his character, the minute the homophobic initiations came up, I knew that Erik’s role was going to be a key point of revelation. So much of season 3’s momentum was tied up in Wilhelm finding out and processing that, and August being able to put into words how Erik and the other third year boys’ actions traumatized him. The knowledge that August, Nils, and Vincent chose to remove the most homophobic practices when they initiated first years adds a twist of the tragic knife. We have three boys who are trying (however imperfectly) to break the cycle, and yet none of them got the support they needed in processing what happens to them. August even ends up releasing the video and perpetuating the cycle of abuse. But it’s hard not to look at that now and not see an element of untreated trauma driving his actions.

I suspect for some fans of the show, that revelation about August (and Nils, and Vincent) essentially being a sexual assault victim is a pretty uncomfortable one, because it can feel like an excuse for his actions. But I don’t think the show is excusing August’s actions so much as explaining them, and even more importantly, the show instead seems to be focused on just how challenging breaking the cycle can be, and just how much time and effort is required. Moreover, understanding August’s vulnerability is crucial for Wilhelm’s character arc.

In my restorative justice meta a while back, I talked about the dangers of the Hillerska students being able to villainize someone like August, because they could so easily deflect from their own actions by imagining him as an individual monster and ignoring the parts of the system that enabled his worst deeds. When I wrote this, I was primarily thinking of characters like Nils and Vincent. I did not expect it to be Wilhelm buying into the myth of August the Monster while disavowing his own flaws. And yet, in season 3, we could see Wilhelm’s black-and-white villainizing of August as something that got in the way of his empathy and better judgment, primarily toward Simon. Like. Wilhelm is, to put it lightly, a pretty crappy boyfriend to Simon at the beginning of the season! (If this post also included a third thing I loved, it was that a lot of the wilmon boyfriends stuff early on in the season was always just a little too yikes to be fully cute.)

And yes, you can look at the part where Wilhelm’s making Simon delete stuff off social media, and eventually delete all his social media entirely, and talk about how Wille is responding to the pressure of the palace, and his mother’s mental health struggles and so on. But IMO it’s similar to the way August lets himself get caught up in the pressures of his social role at Hillerska to try and escape his grief and trauma. Both boys fear and disgust the ways they’ve been made vulnerable (something they react to when they see their vulnerability reflected in one another) and try to play their social role within the system they are most familiar, to gain back a sense of strength and agency. Ultimately, however, they become the weapons of that system, and hurt those they love and care about. It was pretty smart of the show to recognize that Wilhelm reconciling with August and Simon reconciling with August are actually two different flavors of Thing, and the reason a Wilhelm-August reconciliation is different is because of the amount of social power that they hold in the system.

No character symbolizes the reasons for August and Wilhelm’s struggle with the system more than Erik. This is not to say that Erik Is Evil—he’s not! We also know that August and Wilhelm love him, and that he has helped them and cared for them—merely that he strands for what they’re both grappling with. Both boys have to recognize Erik beyond the idealized version of him in order to heal and move forward and actually break the cycle. And they have to recognize Erik’s place in those cycles too. In the last scene we see of Erik, he’s day drinking, and we know he visited Boris for therapy. Could he have struggled with guilt over what he did in the initiation? It’s possible. In a way, the biggest tragedy of Erik’s death is that he doesn’t get a chance to break the cycles alongside Wilhelm and August. But maybe his soul can rest easier knowing they are a little closer to being brothers than they were before.

Where this leads me as a writer, especially of fanfics

I likely started with these two aspects of season three because they already line up so much with what interests me in storytelling. When I think about the kind of writer I want to be, I want to write the complex entangled family history stuff that’s hard to sort through, and I want to write it well. Young Royals gives me another solid mentor text in that regard, alongside books like Patron Saints of Nothing and A Sitting in St. James.

On the fanfic side of things… well. I’m glad the legal stuff is taken care of already! I honestly didn’t want to have to be dealing with the courtroom all that much in my fanfics. Maybe someone else will want that, and I think the option is still there. Someone could do some really cool fics with a character choosing to study law in the future, or similar. But I’m glad to have that off my plate for the time being.

As for what these parts of the season have made me more interested in than before, I’m really captivated by the idea of Wilhelm and August becoming brothers to one another, even if—especially if—it’s a fun multi-year slowburn with lots of heart-wrenching emotions. What would their relationship look like? How would they navigate around Wilhelm’s break with his mother and August’s newly forged relationship to one another? What kind of time would August and Wilhelm choose to spend with one another to work on their relationship, and what do the boundaries look like? Could August one day leave the monarchy too, and would Wilhelm support him in that? (I hope so.) For some fans, I think they’re just content to leave Wilhelm and August’s reconciliation as that conversation at the party, and I think that’s valid. But I do know that in whatever I write going forward, I’m interested in seeing how their relationship can develop and change over time. And that feels hopeful in a way I like.

So maybe… just maybe… some of the things I’m going to write will involve Wille and August developing a better relationship. And I think I’m ok with that.